Something Old, Something New

Global Fashion Summit - Copenhagen Edition

Alliance for a New Era 

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This year I had the honored of being invited to the Global Fashion Agenda’s annual summit.  If you have been following for some time, then you know that fashion circularity is something that I am most passionate about.  Over a decade ago, I fell in love for thrifting and shopping pre-loved and vintage items. Honestly, I couldn’t believe how inexpensive such well-made and unique the secondhand clothing was.  Unfortunately, I later realized that not everyone had such an appreciation and fondness for discovering Something New, among others’ Something Old.  Trend led, fast fashion was much more appealing to my counterparts.  Social media and immediate access to what celebrities were wearing on and off duty pushed the masses to covet designer.    

As fashion consumers have become more enthralled in “see now, wear now”; fashion production has ultimately increased sending the global fashion supply chain into overdrive.  Currently the way clothing is mass produced is unsustainable.  Our planet is subjected to increase greenhouse gas emissions, incinerations have increased, and the entire process of manufacturing fabrics and textiles requires copious amounts of water.   

The purpose of the Global Fashion Agenda’s fashion summit is to simply assemble like-minded, change makers and stakeholders into the same room and create solutions and new initiatives that will have positive impact on the planet, as well as forge to achieve net zero within the sector.  Reversing the effects of the negligence caused by the fashion industry requires the formation of alliances through commitment and legislation.

A major takeaway was realizing that simply shipping secondhand clothing to a developing country isn’t offering much service, aid or relief to the people.  As Liz Ricketts of the Or Foundation so vividly explained, that in the global North we consider this redistribution of clothing or textiles as circularity, diversion, charity, or recycling.  When in actuality, 40% of all the 15 million garments of clothing that land on the continent of Africa weekly goes to waste and ends up in landfills.  This idea of waste management doesn’t empower the players of the Global South at all.  The secondhand clothing trade is a one-sided operation of blatant “disaster capitalism” which primarily benefits the Global North through the subsidization of domestic jobs.  Many view importing secondhand clothing into the global South as negligent.  The suppliers of the clothing and textiles are providing low-cost resources and waste management solutions. 

Social manipulators are leveraging the desperation of the citizens, in these parts of the World, who are simply looking to participate in fair trade practices and earn a living wage.  Unfortunately, there isn’t an wholly exhibit of circularity.

Many consider the supply chain power dynamic as linear and believe it doesn’t empower all stakeholders.  Thus, leaving the economy off balance.  As Liz Ricketts said during a panel that “instead of redistributing materials focus on redistributing wealth and power”, which would ensure equity and justice for all.

Moving Forward…

So, it’s safe to say that exporting secondhand clothing to the global South isn’t sustainable or useful, but only acts as a temporary waste management solution for the global North.  Creating a truly circular economy is what will ultimately lead to cleaner, greener Planet with empowered inhabitants. 

Radical redefining would require systemic changes and mindset shifts from all stakeholders, especially industry brands.  Unfortunately, many brands are seeking the cheapest manufacturer to produce their goods, in hopes of gaining a competitive advantage with reduced labor cost and minimal worker labor rights. Being practical, ethical and solution oriented have taken a back seat as many producers are fast-tracking the race to the bottom.   

In fact, brands must begin moving beyond simple ideas such as transparency or traceability, and focus moreso on progressive, tangible selective solutions.  Readjustments will start when alliances are built within supply chains.  One of the standout ERP policy announcements from the event was the OR Foundation and SHEIN partnership.  Because the brand acknowledges that their waste may be ending up in landfills in the global South, SHEIN is donating $50 million USD over the next 5 years for waste management in those affected communities. This is an outstanding way to shift power dynamics and foster real system change through action.   

Other policy and legislative solutions mentioned during the summit included the Paris Agreement for Climate Change Agenda.  This intergovernmental agreement between 197 entities works to limit global greenhouse gas emissions and prevent the rising of global temperatures below 1.5 degrees.  The deal also set the goal of maintaining and publishing greenhouse gas reduction targets and most importantly moving the sector to NetZero carbon emission by 2050.

Closing thoughts on ensuring that the fashion supply chain become sustainable offered solutions for change.  Examples include the idea of brands using digital IDs/passports, supply chain alliances and smart regulations to curb the global greenhouse gas emissions produced by the apparel and footwear sectors.

Copenhagen Fashion Week SS21

Designers from left to right: Rodebjer, Baum und Pferdgarten, Stine Goya, Henrik Vibskov, Baum und Pferdgarten, Ganni

Designers from left to right: Rodebjer, Baum und Pferdgarten, Stine Goya, Henrik Vibskov, Baum und Pferdgarten, Ganni

Nobody does it quite like the Danes.  The fashion scene in Copenhagen is the embodiment of MAXIMALISM…bold colors, quirky prints and patterns, lots of textures and unconventional silhouettes.  It’s the opposite of monochrome, muted dark colors and neutrals you would associate with hygge or Scandi style and design.  Despite its cultural and geographical proximity to the other Scandinavian countries, Copenhagen’s fashion aesthetic is a far cry from the simple and minimal styling approach of its counterparts.

Copenhagen Fashion Week offered a hybrid of a few live shows, fashion films and presentations.  Some of our favorite designers provided live and pre-recorded content that managed to give the viewer a strong sensorial equivalent to viewing the collections in-person.  I highlighted a few of my favorite brands and looks in the collage.  These looks fully encapsulated the CFW SS21 shows.

And always as an added bonus with Copenhagen’s fashion brands, sustainability is at the forefront of its operations.  Designers know that their buyers are conscious, sustainability-focused shoppers who would purchase a unique, sturdy vintage piece over fast fashion any day.       

Copenhagen Fashion Week SS20 Wrap Up

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If Henrik Vibskov isn’t a name that you’ve heard before, I would encourage you to research not only his designs but delve deep into everything that he has contributed to the Arts over the last couple of decades. This fashion collection is maybe his 30th, it’s inspiration is centered around wind and the many complexities of that particular element. With that theme at the helm of the collection it’s translated through light and breezy silhouettes and billowing aerodynamic spaces which are a vast contrast from the heavy knits and use of layering that’s displayed in previous collections.

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By Marlene Birger

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Known for their beautiful classics and timeless silhouettes, By Marlene Birger, always seems to deliver exactly what’s missing from your wardrobe. Although I am a minimalist at heart, I love a statement piece or dash of fun prints here and there. This collection is so very cool and relaxed. It’s a favorite so far this season. I also love the idea of luxe and casual dressing. Before now, I never thought to pair a basket weaved baseball hat with a sequin dress or anything for that matter, but now I am experiencing an extreme case of fomo.

Cecilie Bahnsen

Cecilie Bahnsen’s entire brand is one big Spring/Summer collection rolled up into one…at least in my opinion. Actually that’s not a bad thing. The old saying is “if something isn’t broke, don’t fix it”. And besides, It’s good to have brand identity, right? Cecilie produces some of the most beautiful and dream-like dresses imaginable, each with amazing details which are nothing short of couture. I also appreciated the new elements introduced in this collection. Who doesn’t love tailored suiting, feathers, and volumious silk organza; oh yes, and we got sprinkles of yellow and pink on the runway as well this season. I would say this collections was a 10/10. It checked all of my boxes for sure.


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We all know the Ganni girl, she’s internationally recognized now thanks to the creative directors of this beloved Danish brand. This collection fully encapsulates the Ganni girl, and she is just as cool as she’s always been, but now a bit more refined…grown up. We see loads of texture and print mixing, splashes of pastels, major inspo from the 70s, as well as nods to the super cool and relaxed 90s. I would go as far as calling the collections dreamy and super girly with a bit of edge. And of course we love the sustainability elements of the collections. Designers re-visted their archives and pulled pieces to re-work, as a way of making the old, new again. I also read that the brand implemented physical and digital pop-up kiosks during fashion week in an effect to make the collections readily accessible to customers for purchase.


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If you could imagine an intersection of sophistication and playfulness, then Baum und Pferdgarten is the place. Honestly, I have never seen such a juxtaposition of ideas that were so cohesive at the same time. After scouring photos of the collection I felt a sense of delight, optimism even. To see tulle tops and dresses layered over tailored suiting and clean lines, topped off with a pastel tulle buckle hat is quite a lot to digest; however, it couldn’t be more satisfying. I loved every piece shown in this collection. It was actually quite difficult to select my favorites for my collage. Kudos to the designers for evoking such excitement for their customers with truly unique pieces and styling. The collection is perfectly simply, yet very complex all at the same time. Maybe I should consider sporting a pair of printed biker shorts with dad sneakers, and a beautifully structured tailored suit vest.

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Rodebjer is yet another designer that I hadn’t had the privilege of ever viewing a collection from. However, I was absolutely impressed by the level of craftmanship that went into each design. Initially, I am drawn to the neutral color palette, then there’s the layering of separates. There is also a great sense of comfortability present in each look. How the dresses seem to lay effortlessly on the body, and the flowiness of the trousers and blouses are so very flattering on all body types. The collection is for the woman looking to tap into her feminine energy.


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Inspired by Mexican-American singer, Selena Quintanilla-Pérez, this Saks Potts collection is titled “Latina Gala.” Ruffled crop tops, bedazzled bralettes and colorful cowboy boots were sheer giveaways. Seeing photos of the details on the accessories that models donned as they paraded down the runway caused me to really reminisce of the 90s. Aesthetically every look was lighthearted and playful, evoking great nostalgia. Although I can’t say that this brand has stood out to me in the past; looks from this season’s show were all over Instagram. The right people were in attendance at this show, creating mega buzz for this collection.


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Stine Goya does a wonderful job of story-telling. Each one of kind design is jam-packed with visual simulation and underlying interpretation. This season the runway looks were amazing; however, the important work happened beyond the clothing on the runway. Goya didn’t call up an agency and cast typical models that usually take the runways during fashion week. She brought her inspiration of LGBTQ ballroom culture from the 80s to life by demanding inclusivity on the runway. Both men and women, in all shapes, sizes and races sashayed down the runway donning large graphic polka dots, bows, ruffles and bright floral prints.

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Copenhagen kicked off fashion month with a bang. I thoroughly enjoyed the shows so far. I can’t wait to see what the other fashion capitals have in store for us. Be sure to stay on the look out for my fashion week recaps right here on Something Old, Something New