Something Old, Something New

Alaïa...sustainable??

Can ultra luxe, haute couture brand, Alaïa, be sustainable as well??

Before hoping into runway coverage of RTW AW24 fashion month shows, I wanted to spotlight a brand that I took notice of during Haute Couture Week for presenting a brilliantly designed collection that just so happen to be sustainable - Alaïa.  The brands Summer Fall haute couture collection was crafted entirely using a single fabric - Wool. Using the thread of only wool, the ateliers created tiny loops of merino wool yarn to construct knitwear, wool coats, denim, tops, trousers, gowns and accessories.

Peter Mulier, creative director of Azzedine Alaïa, remarked that during his reign at the helm of the brand, that he has prioritized the approach of craftsmanship in order to maximized the impact of the Alaïa’s output.

Show notes regarding the collection describe it as: 

“ …simple and pure, less meaning more…finding freedom and invention in intimacy being reduced to an essence. Minimizing focus to expand possibilities”.  

Working with less, pushed boundaries without limiting the collection’s creativity and appeal at all.  I found this concept fascinating, and awe-inspiring.  To see images of the sculptural, circular pieces come down the runway was astonishing, and even more impressionable on the psyché once processing the exceptional technique used to create the collection.  

Another interesting design element was the use of 3-D printing with wool to create the jaw dropping asymmetrical maxi length dresses that wrapped around the models torso creating a spiraling structured cut out bodice.

zendaya photo source

True sustainability is innovative and resourceful with minimal environmental impact on products and materials.  Merino wool is a renewable resource from the fleece of merino sheep - that’s biodegradable.  Actually if put to the test, merino wool passes “life cycle assessment (LCA)” on many fronts.  

Conducting a simple LCA evaluates each stage of the material to determine whether its truly sustainable based on the complete lifecycle of a product.  The first step is SOURCING.  As mentioned earlier, the merino wool fibers comes from merino sheep.  These animals can produce as much as 18kgs of wool per year.  How often the sheep are sheared is determined by the farmer, but it can safely occur as frequently as 2-months.  Next is MANUFACTURING. This part of the process is less sustainable as it is mechanical.  Once the fleeces are collected they have to be sorted, cleaned and process which uses quite a bit of water and energy.  The third step is TRANSPORTING.  Depending on the distance the materials must travel, determines how much emissions are used by the vehicles.  However, this stage is known to be relative carbon-intensive.  Fourth stage of LCA is USAGE.  The usage of merino wool is positive and sustainable as the material is can be worn several times between washing due to the breathability and odor-resistance of the fibers.  Lastly, is the END OF LIFE stage of the wool. Merino wool (if untreated) is fully biodegradable and compostable. 

Australia Fashion Week - Sustainability RoundUp

Seriously, who knew of the wave of brilliant, conscious talent hailing from Australia.  Australia’s fashion week is synonymously known for its Resort collections due to the country’s laid back beachy, vacation vibe and aesthetic.  After delving into the shows and presentations, I was pleasantly surprised by how many designers are committed to taking proactive measures surrounding sustainability efforts and ethical practices.  Many brands and designers use their websites to highlight their missions, and have pledged to reduce the impact of the fashion industry on our planet. 

Maggie Marilyn

maggie marilyn resort 2024

maggie marilyn resort 2024

Maggie Marilyn is a brand that made a commitment to sustainability, circularity, and innovation long ago.  They are the torch carriers of brands who are eco-conscious and sustainably-focused.  Many of the materials used in this collection were upcycled and reimagined.

Personally, I enjoyed the crispness of the tailored shirting, paired with relaxed pieces such as bikini separates, oversized jeans, or bloomers.  The whimsical ballets and floral features added balance, and thus supporting the nautical aesthetic. 

Bec + Bridge

bec and bridge

Bec Cooper and Bridget Yorston are the brilliant duo behind, Australian womenswear brand, Bec+Bridge.  Although I hadn’t heard of this brand prior to delving into AAFW 24, I was incredibly impressed not just by their effortless designs, but mostly the brand’s commitment to offsetting their impact on the Globe by consciously creating a circular economy that eliminates textile waste from landfills.

 Bec+Bridge ethos and ethical values are forward facing.  On their website, they highlight their commitments to sustainability in a number of ways including using plant-based materials for online mailer bags, recyclable card stock and 100% biodegradable garment bags.  Also by choosing to use ethical manufacturing, the brand co-create with Australian makers initially, and global suppliers who ensure ethical principles.

 In creating this incredible collection of flowy, elevated “90s It Girl” separates, the designers partnered with textile recycling company, Upparel, to produce with repurposed stock fabric. The relaxed, neutral toned suiting paired with mesh crop tops lands right on the line of edgy and sensuality.

Yousef Akbar

yousef akbar resort 2024

Yousef Akbar is a Saudi born designer who grew up as an artist at heart but couldn’t fully lean into those aspirations being raised in a conservative family.  He moved to Australia on scholarship earning both a bachelor’s and master’s degrees in logistics and supply chain management.  Later he wanted to learn to create his own clothes, so he enrolled in fashion school, and started his own brand in 2017.

Yousef Akbar is an award-winning women’s eveningwear brand that was a standout during AAFW. His brand’s mission is to also find ways to minimize its carbon footprint and eventually reach zero-waste approach to fashion.  He is quoted to be “striving to create high quality garments in the most sustainable and ethical ways available…”.

What I appreciated most in his AAFW 23 collection was the creativity, elevated craftsmenship and bold designs.  This collection pays homage to the soul and strength of women in his life, and that inspiration extends beyond the clothing but to model’s hair, makeup and accessories.  The recurrence of the 18k gold plated orchid accessories are a symbol of femininity, fertility and sexuality birthed from collaboration with Singapore’s Boheme.  The model’s hair are inspired recreations of images of doves.  The symbolism of the doves represent freedom and strength.  The diamante crystals on the models faces represent the illuminating brilliance of extraordinary women and their radiant aura.  The painted faces are inspired by the French song “Femme a la peau blue”.    

Ngali

ngali resort 24

Denni Francisco’s Ngali is the first First Nations brand to show solo at AAFW.  However, with the beauty of collaboration at play, there was country-wide incorporations of five other Aboriginal and Torres Strait Islander makers who provided an accompaniment of footwear, millinery, accessories and even runway artwork and music.  Francisco is a Wiradjuri woman that wanted to ensure her culture was well represented in the brand’s 2024 Resort collection, titled Murriyang (translating into ‘skyworld’ in her Wiradjuri languge).

Models graced the runway in beautifully draped and layered flowy silks, shift dress with motifs of Australian landscapes and donned bold structural accessories.

Sources:

https://www.russh.com/ngali-resort-24-show-aafw/

https://www.yousefakbar.com/about

https://www.maggiemarilyn.com/about-us

https://www.becandbridge.com/pages/sustainability-ethics

https://www.theguardian.com/fashion/gallery/2023/may/18/australian-fashion-week-2023-in-pictures-ngalis-denni-francisco-becomes-first-indigenous-designer-to-hold-solo-show

Gateway of the East: India, Christian Dior Pre-FW23 Show in Mumbai

This year Maria Grazia Chuiri, Christian Dior’s creative director, partnered with a special group of Indian artisans. The group showcased the beauty of Indian traditional crafts. As part of her collaboration with the women artisans of Chanakya Ateliers and the Chanakya School of Craft, they created intricate haute couture textiles.

photo source: Maria Grazia Chiuri Instagram account

As part of its mission, the Chanakya School of Craft and the Chanakya Foundation educate women in hand embroidery and traditional Indian cutting arts. It offers them income and financial independence. Many of the Chanakya Atelier makers are 13th generation crafts (wo)men who draw skills and knowledge from regional and tribal cultures across India's subcontinent.

Karishma Swali (left) and Maria Chiuri (right). photo source: Maria Grazia Chiuri Instagram account

Mumbai was the backdrop for this spectacular and culturally rich show. The runway presentation was integrated within an art installation of dense embroidery commissioned by the fashion house. 

Dior has fashion connections in India. Marc Bohan (artistic director from 1960 – 1989) traveled to Delhi and Mumbai in 1962 and created striking pieces for younger customers in the Indian market. These fashion events contributed to changing tides between France and India. Maria Chuiri has maintained professional relationships and meaningful personal friendships in India for over three decades. This is specifically with Karishma Swali, the founder of Chanakya Ateliers. Thus, Chuiri, has been committed to amplifying the influence and immense talents of Indian artisans. She even borrowed timeless shapes and Indian cuts and silhouettes from Marc Bohan’s Dior archives.   

christian-dior-fall-23-india

collage created by SOSNU Co.

In this Pre-Fall 2023 collection, Maria used rich jewel tone color palettes such as deep purples, pinks, yellows and greens, color-blocked with browns and black. Lots of India’s heritage and fashion culture was shown in the cuts of pants, jackets, boleros, wrap dresses and sari-inspired straight skirts.

For a more in depth look into the Chanakya School of Craft and Chanakya Ateliers processes for developing the embroidery for Dior’s collections, please click the video link: