Something Old, Something New

Alaïa...sustainable??

Can ultra luxe, haute couture brand, Alaïa, be sustainable as well??

Before hoping into runway coverage of RTW AW24 fashion month shows, I wanted to spotlight a brand that I took notice of during Haute Couture Week for presenting a brilliantly designed collection that just so happen to be sustainable - Alaïa.  The brands Summer Fall haute couture collection was crafted entirely using a single fabric - Wool. Using the thread of only wool, the ateliers created tiny loops of merino wool yarn to construct knitwear, wool coats, denim, tops, trousers, gowns and accessories.

Peter Mulier, creative director of Azzedine Alaïa, remarked that during his reign at the helm of the brand, that he has prioritized the approach of craftsmanship in order to maximized the impact of the Alaïa’s output.

Show notes regarding the collection describe it as: 

“ …simple and pure, less meaning more…finding freedom and invention in intimacy being reduced to an essence. Minimizing focus to expand possibilities”.  

Working with less, pushed boundaries without limiting the collection’s creativity and appeal at all.  I found this concept fascinating, and awe-inspiring.  To see images of the sculptural, circular pieces come down the runway was astonishing, and even more impressionable on the psyché once processing the exceptional technique used to create the collection.  

Another interesting design element was the use of 3-D printing with wool to create the jaw dropping asymmetrical maxi length dresses that wrapped around the models torso creating a spiraling structured cut out bodice.

zendaya photo source

True sustainability is innovative and resourceful with minimal environmental impact on products and materials.  Merino wool is a renewable resource from the fleece of merino sheep - that’s biodegradable.  Actually if put to the test, merino wool passes “life cycle assessment (LCA)” on many fronts.  

Conducting a simple LCA evaluates each stage of the material to determine whether its truly sustainable based on the complete lifecycle of a product.  The first step is SOURCING.  As mentioned earlier, the merino wool fibers comes from merino sheep.  These animals can produce as much as 18kgs of wool per year.  How often the sheep are sheared is determined by the farmer, but it can safely occur as frequently as 2-months.  Next is MANUFACTURING. This part of the process is less sustainable as it is mechanical.  Once the fleeces are collected they have to be sorted, cleaned and process which uses quite a bit of water and energy.  The third step is TRANSPORTING.  Depending on the distance the materials must travel, determines how much emissions are used by the vehicles.  However, this stage is known to be relative carbon-intensive.  Fourth stage of LCA is USAGE.  The usage of merino wool is positive and sustainable as the material is can be worn several times between washing due to the breathability and odor-resistance of the fibers.  Lastly, is the END OF LIFE stage of the wool. Merino wool (if untreated) is fully biodegradable and compostable. 

Diesel....Sustainable?

Glen Martens, best known for his early work at Jean Paul Gaultier and the high-end streetwear brand Y/Project, joined Diesel in October 2020. With Martens at its helm, Diesel is seeing the reformation that company founder, Renzo Rosso betted on when selecting him. Diesel has been a revered brand for nearly 40 years, but personally I remember the brand’s heyday during the early 2000s/Y2K era and all things Jeans Mania. On the red carpet, celebrities wore denim outfits adorned with the Diesel logo, while off-duty models donned Diesel's low-rise denim and the tiniest. Advertisements were radical and provocative.

Glen Martens - Forward Thinking in efforts to make Diesel a bit more sustainable

diesel fw 23

Diesel FW 23

Stepping into this role, Marten intends to do much more than create a few viral moments for the brand, instead opting for a more rooted approach. Initially, he will reevaluate the brand’s manufacturing channels and supply chain. He hopes to overlap the “then and now”, by embracing the company’s heritage through sparsely referencing its archives, as well as refitting some of the jeans by diversifying and expanding the range offered to customers. He also intends to extend the fundamentals the brand stands for by highlighting its progressive social and environmental values. Future collections will be made sustainable by using materials and dyeing methods that reduce the usage of water and harsh chemicals.

Marten has made substantial strides for specific sustainability initiatives: 

  • Launching the Denim Library Capsule

  • D:VERSE

  • Diesel Jean buyback program and Diesel Second Hand

The Denim Library Capsule is projected to account for more than 40% of brand sales. The current collection is derived from partly recycled fabrics, with the conceptual runway pieces being constructed using deadstock denim. Each of these pieces also has QR codes in pockets transparently detailing the steps of production supply chains. This collection offers a holistic approach to production using washes and treatments that minimize the use of water and chemicals. 

Not to be left out of the metaverse and Web3 arenas, Diesel is using technology innovation to gain the interest of GenZ and beyond. The brand debuted its own platform, D:VERSE, to host newly developed physical and virtual products.

Diesel’s jean buyback program and Secondhand circularity initiatives are available only in Milan, Florence, and Rome now with plans to expand. The buyback program launched in July 2021, and in just a few months over 900 pairs of jeans had been recovered and reconditioned. The restored jeans are treated with Polygiene’s anti-microbial and odor resistant ViralOff and Odor Crunch technology. The secondhand status of these items is identifiable by a bright red branded stamp on the waistband.

Gateway of the East: India, Christian Dior Pre-FW23 Show in Mumbai

This year Maria Grazia Chuiri, Christian Dior’s creative director, partnered with a special group of Indian artisans. The group showcased the beauty of Indian traditional crafts. As part of her collaboration with the women artisans of Chanakya Ateliers and the Chanakya School of Craft, they created intricate haute couture textiles.

photo source: Maria Grazia Chiuri Instagram account

As part of its mission, the Chanakya School of Craft and the Chanakya Foundation educate women in hand embroidery and traditional Indian cutting arts. It offers them income and financial independence. Many of the Chanakya Atelier makers are 13th generation crafts (wo)men who draw skills and knowledge from regional and tribal cultures across India's subcontinent.

Karishma Swali (left) and Maria Chiuri (right). photo source: Maria Grazia Chiuri Instagram account

Mumbai was the backdrop for this spectacular and culturally rich show. The runway presentation was integrated within an art installation of dense embroidery commissioned by the fashion house. 

Dior has fashion connections in India. Marc Bohan (artistic director from 1960 – 1989) traveled to Delhi and Mumbai in 1962 and created striking pieces for younger customers in the Indian market. These fashion events contributed to changing tides between France and India. Maria Chuiri has maintained professional relationships and meaningful personal friendships in India for over three decades. This is specifically with Karishma Swali, the founder of Chanakya Ateliers. Thus, Chuiri, has been committed to amplifying the influence and immense talents of Indian artisans. She even borrowed timeless shapes and Indian cuts and silhouettes from Marc Bohan’s Dior archives.   

christian-dior-fall-23-india

collage created by SOSNU Co.

In this Pre-Fall 2023 collection, Maria used rich jewel tone color palettes such as deep purples, pinks, yellows and greens, color-blocked with browns and black. Lots of India’s heritage and fashion culture was shown in the cuts of pants, jackets, boleros, wrap dresses and sari-inspired straight skirts.

For a more in depth look into the Chanakya School of Craft and Chanakya Ateliers processes for developing the embroidery for Dior’s collections, please click the video link: